The intersection of personal experiences within the institutional realm is explored through a collaborative project involving Jenny Grönvall and her mother, Kerstin Grönvall. This exploration revolves around an early encounter, wherein K. Grönvall almost applied to Skånes Konstförening but feared rejection.
The piece includes a letter, a video from Jenny Grönvall's performance titled 'Love Me' at Skånes Konstförening's national conference in 2004, and an oil painting by her mother. It was shown in the exhibition 'What takes a hundred years to make?' curated by Simona Dumitriu in 2018.